At this point, "Operación Triunfo" has received audience figures.

We are gaining information about the genuine extent of the Amazon talent show through the process of gradual learning.

In terms of the number of people who saw it in 2023, “Operation Triumph” has been one of the most intriguing mysteries of the year. On the basis of the limited information that Prime Video provided regarding its audience, the indications seemed to indicate that the endeavor was more or less a success. To give just one example, the inaugural gala was the national premiere that received the most viewers in the whole history of Prime Video in Spain. The free app that was used for voting received 53 million votes, which is a significant number. It was also reported that the video had a tremendous amount of success on social networks, with 718.9 million views across both YouTube and TikTok.

Data that is new. SigmaDos30 has made public a study that it has produced on the viewership for the full season, despite the fact that the data included in the study are not official figures from Prime Video. As an illustration, the audience measuring organization has computed the number of viewers on a monthly basis, and they have observed a significant growth since the launch in November:

Reduce the amount of open television that is being seen. At the conclusion of the episode, Prime Video did share viewer data, which revealed that the weekly galas have been watched by an average of more than 3.5 million viewers. There has been a significant drop in the number of spectators attending each edition since 2017 in open air, which was approximately 20 million, with an average of 5 million unique viewers attending each gala. This represents a significant fall.

The situation cannot be regarded as a failure. Although the Prime Video version has a significantly lower number of viewers than the other editions, as we have already emphasized on multiple occasions, this discrepancy does not constitute a “failure” for this particular edition. This is due to the fact that Amazon is not solely concerned with having a high audience size; rather, the company is more concerned with bringing people to its Prime membership and, as a result, to its enormous online store.

This does not result in… In spite of this, it is evident that, according to the estimates of the consulting firm, ‘Operación Triunfo’ has not led Prime Video audiences in any month since its release. This is the case regardless of whether or not the show lives up to the expectations that Amazon had put on it. By way of illustration, in the month of November, it was 10.5% lower than both “Memento Mori” and “La que se cerca.

” When compared to ‘La que se near’ and ‘Padre no hay más than uno 3’ in December, the percentage was 12.1%. The best figure for the month of January was 12.4%, which was just lower than “The one that is coming.” And in December, with the dip to 11.5%, behind ‘The One That’s Coming,’ the most recent installment of ‘The Hunger Games,’ and both ‘The Village’ and ‘The Hunger Games’.

…but ultimately prevails. There are other things that Prime Video has accomplished that might be deemed positive for the platform. Putting aside what we have discussed regarding Amazon’s interest in selling on Amazon rather than anywhere else, there are other success stories that Prime Video has achieved. On the one hand, the introduction of sponsorships from corporate entities such as ING Direct and Mapfre.

Other than a shift in the general public’s perspective of what Prime Video is capable of providing from this point forward, there is also the presence of Prime Video in the media and networks that extend outside the platform itself. In addition, from the perspective of Amazon’s diverse interests, this may be more significant than reaching a peak viewership.

Amazon Prime Video is reintroducing the traditional Spanish talent gala format known as Operación Triunfo. Additionally, the company has revealed its most recent lineup of scripted dramas, films, and documentaries from the country, in addition to a regional adaptation of Takeshi’s Castle.

In the latter part of this year, the 12th season of Operación Triunfo, which is filmed in front of a live audience, will be made available for streaming on the SVoD platform in Spain and Latin America.

The first eleven seasons of the show, which ran from 2001 to 2020 and were broadcast on the Spanish state broadcaster RTVE, were a huge success in terms of ratings and a cultural phenomenon.During the course of the musical talent competition, a number of hopeful participants are shown enrolling in a musical academy in order to undergo training and demonstrate their artistic and singing abilities. They engage in a competition on stage once a week during a live gala.

Fans have been amused by Operación Triunfo for more than 22 years, and it has provided joy to millions of people each and every time. “We are thrilled and honored to bring back this beloved show to fans not only in Spain but also across Latin America, and we are making history with the first series to be streamed live on Prime Video in Spain,” said James Farrell, Vice President of Local Originals at Prime Video. “We are also thrilled to bring this show back to fans in their home countries.” “Prime Video has a demonstrated history of delivering live events to millions of Prime members, and we are excited to create a fantastic weekly show that our customers won’t want to miss,” said Prime Video’s spokesperson.

It is the format that is owned by Banijay, and the Gestmusic label, which is based in Spain, will be returning to create the new show.

In addition, Maria José Rodriguez, who is the head of Spanish Originals at Prime Video, stated that “Operación Triunfo has been a beloved staple for eleven seasons and has seen contestants such as David Bisbal, Amaia, or Aitana grow into global sensations through their participation in the show.”

Today in Madrid, Prime Video Presents… had a presentation, and the news was made during that event.

In addition, the film Hildegart, which is based on a true story about a young woman who went on to become one of the most brilliant brains in Spain and a prominent authority on female sexuality, was presented to the public. Paula Ortiz, who is also the director of the project, is responsible for writing it, together with Eduard Sola and Clara Roquet. Alongside Stefan Schmitz of Avalon, María Zamora, who is affiliated with Elastica Films, is the producer of the film.

The novel written by Manel Loureiro serves as the inspiration for the action thriller film Apocalipsis Z: El Principio Del Fin, which was produced by Nostromo Pictures. Manel, a bereaved husband, is forced to use his wits to survive at home, along with his grumpy cat, as the eerie story follows a weird disease that is similar to rabies and spreads unchecked across the earth. The disease transforms people into incredibly dangerous beasts.

A Hípster in the Spanish language Lalo Tenorio and Berta Vázquez are the two actors who star in the comedy Vacía, which is based on the book of the same name written by Daniel Gascón. Emilio Martínez-Lázaro is the director of the film. The production is being handled by LAZONA, with Gonzalo Salazar-Simpson being the producer and Daniel Catro being the writer and executive producer.

El Fin is a post-apocalyptic action comedy series that is being produced by Versus in partnership with Diffferent Entertainment. David Sainz, who also co-created the show alongside Enrique Lojo, is the one in charge of directing it. The plot of the show revolves around a guy who, upon hearing the news of the impending apocalypse, abruptly left his family behind. However, the man later discovers that the calamity did not occur, and he is forced to confront the gravity of his error.

Additionally, there will be a local adaptation of the Japanese format Takeshi’s Castle, which will be referred to as El Castillo de Takeshi and will be produced by Encofrados Encofrasa. The eight-part miniseries is being directed by Miguel Campo, and Jorge Ponce and Javier Valera are serving as executive producers for the production.

The first Japanese version was broadcast on linear television in Spain between the years 1990 and 1995.

According to Farrell, “This new slate is a testament to our ambition of creating high-quality shows and movies with broad appeal, which will delight audiences both locally and globally.” We are collaborating with the most talented creatives in Spain in order to identify the narratives and modes of presentation that we believe will resonate with Spanish viewers both in Spain and around the world.

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